Knife in the Water

1962

DramaThriller

On their way to an afternoon on the lake, husband and wife Andrzej and Krystyna nearly run over a young hitchhiker. Inviting the young man onto the boat with them, Andrzej begins to subtly torment him; the hitchhiker responds by making overtures toward Krystyna. When the hitchhiker is accidentally knocked overboard, the husband's panic results in unexpected consequences.

"Acclaimed by all! Roman Polanski's tense, ironic Drama!"

Rating

7.304
437 votes

Popularity

1.04

Origin & Countries

PL | pl | Poland

Production

Zespół Filmowy "Kamera"

Runtime

94 min.

Status

Released

Release: 3/9/1962

Credits

Knife in the Water

Roman PolanskiDirector

Knife in the Water

Leon NiemczykAndrzej

Knife in the Water

Jolanta UmeckaKrystyna

Knife in the Water

Zygmunt MalanowiczYoung Man

Knife in the Water

Roman PolanskiYoung Man (voice)

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Reviews

CRCulver

9/5/2018

6 / 10

Released in 1962, <i>Knife in the Water</i> (Polish: <i>Nóz w wodzie</i>) was director Roman Polanski's full-length debut. Married couple Andrzej (Leon Niemczyk) and Krystyna (Jolanta Umecka) are driving to the marina when they pick up a hitchhiker (Zygmunt Malanowicz). Though Andrzej is initially angry at the young man for standing the middle of the road, he invites him to come sailing. Once on the boat, tension arises between the two men because of Krystyna sexual appeal and the hitchhiker's poverty versus Andrzej's affluence. Not only is the title a metaphor for the boat as it moves through the lake, but it also refers to the intimidating knife that the young man carries with him. <i>Knife in the Water</i> is entertaining enough. The cinematography on the lake and the low-key soundtrack by jazz legend Krzysztof Komeda are memorable. But personally I don't find this to be an especially great film. It feels derivative of Italian cinema of the time, without an original touch. The casting of the weathered, 32 year-old Malanowicz as a 19 year-old student undermines its credibility. I suspect that the film gained so much attention on release due to its risque nature (especially novel in a film from the Eastern Bloc) instead of its intrinsic merit.

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