Merry Christmas, Mr. Lawrence

1983

DramaHistoryWar

Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.

"Java, 1942 — A clash of cultures, a test of the human spirit."

Rating

7.3
477 votes

Popularity

1.8092

Origin & Countries

JP | ja | Japan,New Zealand,United Kingdom

Production

Recorded Picture Company,National Film Trustee Company,Antares-Nova,Oshima Productions,Broadbank Investments,Asahi Broadcasting Corporation

Runtime

124 min.

Budget (M$)

2.3 / 0ROI Infinity%

Status

Released

Release: 5/28/1983

Credits

Merry Christmas, Mr. Lawrence

Nagisa ŌshimaDirector

Merry Christmas, Mr. Lawrence

David BowieCelliers

Merry Christmas, Mr. Lawrence

Tom ContiLawrence

Merry Christmas, Mr. Lawrence

Ryuichi SakamotoYonoi

Merry Christmas, Mr. Lawrence

Takeshi KitanoHara

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Reviews

CinemaSerf

4/14/2022

7 / 10

This offers a really poignant look at what we might describe as mutual insanity. "Maj. Celliers" (David Bowie) is convicted by the occupying Japanese on the island of Java on citing rebellion. With hindsight, perhaps he would rather not have been, but he is spared the firing squad and sent to the POW camp of "Col Yonoi" (Ryuichi Sakamoto) who leaves much of the day to day brutality to his henchman "Sgt. Hara" (Takeshi Kitano). Also interned is "Col. Lawrence" (a strong performance from Tom Conti) who knows a thing or two about the culture of their "hosts" and tries, as best he can, to mediate and mitigate their worst excesses. What now ensues depicts the brutality - physical and psychological employed by the sadistic "Hara" whilst interspersed with some retrospectives giving us some of the back-story of "Celliers" and his life of privilege back home. The production is rich and alluring to watch; Bowie and Sakamoto both look beautiful here - and perhaps that adds to the potency of the cruelty of the latter more. The gist of the story calls into question an whole range of emotions from the more visceral to the more profound and though it is probably a bit too long, the powerfully emotive performances are captivating. Bowie maybe wasn't the best actor ever, but here he excels and with Sakamoto provides something really quite thought provoking.

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