The three resultant films (London, Berlin and Morley College) make poetic use of the camera to evoke the passage of time across space. In the domestic environ of London, shafts of sunlight alternatively obscure and illuminate a simple still life view of a kitchen sideboard and shelves, caught in bursts of real time. Filmed over a day, the culinary tableau of plates, mugs and bowls disappear from the frame, piece by piece, in a playful tidying of the filmic space, which also recalls a child’s memory game, requiring us to remember what was once placed where. Berlin was also filmed within a kitchen interior, but rather than a fixed frame view Todd’s camera roves around the space, revealing the absent householder in an intimate focus on small details and simple kitchen objects.