They Were Expendable

1945

DramaWar

After a demonstration of new PT boats, navy brass are still unconvinced of their viability in combat, leaving Lt. "Rusty" Ryan frustrated. After the attack on Pearl Harbor, however, Ryan and his buddy Lt. Brickley are told they can finally take their squadron into battle. The PT boats quickly prove their worth, successfully shooting down Japanese planes, relaying messages between islands, and picking off a multitude of enemy ships.

"A Tribute to Those Who Did So Much... With So Little!"

Rating

6.6
115 votes

Popularity

2.4362

Origin & Countries

US | en | United States of America

Production

Metro-Goldwyn-Mayer

Runtime

135 min.

Status

Released

Release: 12/7/1945

Credits

They Were Expendable

John FordDirector

They Were Expendable

Robert MontgomeryLt. John Brickley

They Were Expendable

John WayneLt. (J.G.) 'Rusty' Ryan

They Were Expendable

Donna ReedLt. Sandy Davyss

They Were Expendable

Jack HoltGeneral Martin

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Reviews

CinemaSerf

7/7/2024

7 / 10

"Brick" (Robert Montgomery) is an US Navy lieutenant desperate to prove that his motorised torpedo boats can do more for the war effort than deliver the mail. Luckily, he's got "Rusty" (John Wayne) as his number two and plenty of opportunity to test their theories against the advancing Japanese as with things looking terrible for the Americans in Manila, they have their work cut out for them. Even though things are relentless and perilous, "Rusty" still finds time for a little romance with nurse "Sandy" (Donna Reed) and we've also got Ward Bond and a lively few scenes from "Dad" (Russell Simpson) to help keep the adventure focused. The film was co-written by "Spig" Wead - a man whom Wayne played in another John Ford feature "The Wings of Eagles" (1957) - so the narrative has a degree of authenticity as their forces are forced to retreat towards Australia. There are also some decent visual effects with plenty of action, (not so) near misses as Ford allows his three stars to tell this story in a far less jingoistic fashion than some of the more propagandist efforts made to bolster public support during WWII. Wayne turns on the charm here - with Reed and with the audience, and this works well.

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