Black Sabbath

1963

Horror

Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.

"A story that goes beyond the boundaries of the Supernatural to the half-world of the living dead...Where a woman's soul inhabits a fly's body...Where vampires suck only the blood of those they love dearest."

Rating

7.179
443 votes

Popularity

2.5753

Origin & Countries

IT | it | France,Italy

Production

Emmepi Cinematografica,Galatea Film,Societé Cinématographique Lyre

Runtime

95 min.

Status

Released

Release: 8/17/1963

Credits

Black Sabbath

Mario BavaDirector

Black Sabbath

Boris KarloffGorca (segment "The Wurdalak")

Black Sabbath

Mark DamonVladimire d'Urfe (segment "The Wurdalak")

Black Sabbath

Michèle MercierRosy (segment "The Telephone")

Black Sabbath

Susy AndersenSdenka (segment "The Wurdalak")

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Reviews

CinemaSerf

5/18/2023

6 / 10

Boris Karloff introduces this triptych of short stories. I found the first, the shortest, to be the least interesting centring around a greedy nurse who robs a corpse of a valuable ring only to find that it's erstwhile owner isn't quite finished with it, or her, quite yet! The second sees a beautiful woman return to her apartment one evening only to find herself subjected to repeated telephone calls warning her that she shall not see the morning! Michèle Mercier is quite effective as the terrified "Rosy" in this story. Finally, Karloff himself takes to the stage in a rather lengthier, enjoyable, vampire story that sees a travelling count discover the body of a dreaded bandit and take it to a nearby farm. It's only once there, and with the return of the father "Gorca", that he begins to realise that this danger has already been "invited in"! The productions have a very Hammer look to them, the make up and visual effects (especially in the first story) don't hold up so well, but in the main, the three stories are quite solid with portentous messages of revenge for those who would steal or cheat or kill! You are unlikely to recall it a few days after watching, but Bava knew how to do budget/studio horror quite well and the last two stories make a decent fist of developing some sense of menace and threat. Good fun.

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