Iron Man

1951

Drama

In Coaltown, Pennsylvania, miner Coke Mason hopes to better himself, buy a radio store, and marry Rose Warren. His gambler brother George thinks Coke can be more successful as a boxer, knowing that when he fights he's consumed with a murderous rage that makes him an "iron man." Seeing dollar signs in Rose's eyes, Coke reluctantly agrees, though he's fearful of the "killer instinct" that makes him a knockout success in the ring...and brings him the booing hatred of the fans. Will Coke throw off his personal demon before he kills someone?

"He's all man in the ring -- or anywhere!"

Rating

6.1
19 votes

Popularity

0.4908

Origin & Countries

US | en | United States of America

Production

Universal International Pictures

Runtime

82 min.

Status

Released

Release: 9/20/1951

Credits

Iron Man

Joseph PevneyDirector

Iron Man

Jeff ChandlerCoke Mason

Iron Man

Evelyn KeyesRose Warren Mason

Iron Man

Stephen McNallyGeorge Mason

Iron Man

Rock HudsonTommy 'Speed' O'Keefe

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Reviews

CinemaSerf

11/26/2023

6 / 10

Now I did struggle with the idea of Jeff Chandler as a red-misted boxing champion, but here he acquits him self adequately enough. He's coal miner "Coke" who dreams of wedding his girl "Rose" (Evelyn Keyes) and buying a radio store. His rather more venal brother "George" (Stephen McNally) runs a pool hall and discovers that when his sibling gets cross, really cross, his fists can do his talking for him. The ring beckons, and success follows - but at a price. "Coke" is a brute. He fights legal, but dirty - and the crowd gradually learn to loathe him. Finally he has had enough and wants to stop, but discovers that his now wife is embroiled in some match-fixing with "George" and he faces quite a dilemma - one epitomised at the denouement with a bout with the equally unlikely pugilist Rock Hudson ("Speed"). It's another of the stories set in an industrial town where opportunities were scant and where boxing was a route out if you were prepared to take and give a beating. This one tries to introduce the concept of a conscience in the lead character and the photography does give some sort of indication as to the brutality in the ring. It's a solid film that has just about enough action and a message to convey about right (hooks) and wrong.

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