Pandora's Box

1929

DramaCrimeRomance

Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.

Rating

7.5
233 votes

Popularity

1.651

Origin & Countries

DE | de | Germany

Production

Nero-Film AG

Runtime

133 min.

Budget (M$)

0.9 / 0ROI Infinity%

Status

Released

Release: 1/30/1929

Credits

Pandora's Box

G.W. PabstDirector

Pandora's Box

Louise BrooksLulu

Pandora's Box

Fritz KortnerDr. Ludwig Schön

Pandora's Box

Francis LedererAlwa Schön

Pandora's Box

Carl GoetzSchigolch

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Reviews

CinemaSerf

6/6/2022

7 / 10

Louise Brooks is Peter Pan-esque in this stylishly depicted story of "Lulu". She is beautiful and sexy, and she uses her gifts to effortlessly ensnare the wealthy "Dr. Schön" (Fritz Kortner). When it comes to marriage, however, she is tainted goods and so he becomes affianced to the more suitable "Charlotte" (Daisy D'Ora). He's still the jealous type, though, and is determined she will love no other. To that end he facilitates her joining the theatrical show of his adult son "Alwa" (Francis Lederer), who is none to immune to her charms either! Predictably, this plan only serves to throw oil on the fire and soon the now completely compromised, but smitten, doctor must make a decision he is loathe to - with tragic consequences ensuing for him, and for "Lulu". The performances ooze charisma and personality, the light and shade cleverly create atmospheres of passion, frustration and even some menace as the woman and her life rise and and fall before us. Carl Goetz is quite effective as "Schigolch" - one of her previous examples of collateral damage - as is Krafft-Raschig as the muscle-bound "Quast". By any modern day standard, this is a soap - a very good, well photographed and charming soap - but a soap nonetheless and it stretches the bounds of serendipity and plausibility just once too often for my liking. That said, Brooks turns her hand to just about everything here and is superb - and I did rather enjoy this.

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