Sonny Rollinsborn 1930

usually

Actor

Popularity

0.8

Famous

Biography

Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew, and Art Taylor. After graduating from high school in 1948, Rollins began performing professionally; he made his first recordings in early 1949 as a sideman with the bebop singer Babs Gonzales (trombonist J. J. Johnson was the arranger of the group). Within the next few months, he began to make a name for himself, recording with Johnson and appearing under the leadership of pianist Bud Powell, alongside trumpeter Fats Navarro and drummer Roy Haynes, on a seminal "hard bop" session. In early 1950, Rollins was arrested for armed robbery and spent ten months in Rikers Island jail before being released on parole; in 1952, he was re-arrested for violating the terms of his parole by using heroin. Between 1951 and 1953, he recorded with Miles Davis, the Modern Jazz Quartet, Charlie Parker, and Thelonious Monk. A breakthrough arrived in 1954 when he recorded his famous compositions "Oleo", "Airegin", and "Doxy" with a quintet led by Davis that also featured pianist Horace Silver, these recordings appearing on the album Bags' Groove. In 1955, Rollins entered the Federal Medical Center, Lexington, at the time the only assistance in the U.S. for drug addicts. While there, he volunteered for then-experimental methadone therapy and was able to break his heroin habit, after which he lived for a time in Chicago, briefly rooming with the trumpeter Booker Little. Rollins initially feared sobriety would impair his musicianship, but then went on to greater success. Rollins briefly joined the Miles Davis Quintet in the summer of 1955. Later that year, he joined the Clifford Brown–Max Roach quintet; studio albums documenting his time in the band are Clifford Brown and Max Roach at Basin Street and Sonny Rollins Plus 4. After the deaths of Brown and the band's pianist, Richie Powell, in a June 1956 automobile accident, Rollins continued playing with Roach and began releasing albums under his own name on Prestige Records, Blue Note, Riverside, and the Los Angeles label Contemporary. ... Source: Article "Sonny Rollins" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Credits

Max Roach: The Drum Also Waltzes
Max Roach: The Drum Also Waltzes

2023

Documentary

as Self

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0.2
Hargrove
Hargrove

2022

Documentary • Music

as Self

7
0.6
It Must Schwing: The Blue Note Story
8.2
0.2
Chasing Trane
Chasing Trane

2017

Documentary • Music

as Self - Musician

7.3
0.2
Brownie Speaks
Brownie Speaks

2014

Documentary • Drama • History • Music

as Self

10
0.1
Sonny Rollins: Beyond the Notes
Sonny Rollins: Beyond the Notes

2012

Documentary • Music

as Self

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0.1
Sonny Rollins '74: Rescued!
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The Jazz Baroness
The Jazz Baroness

2009

Documentary

as Self

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0.1
John Coltrane   Four Tenors
John Coltrane Four Tenors

2002

Music

as Himself

6.5
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Saxophone Colossus
Saxophone Colossus

1998

Documentary • Music

as Self

8
0.6
Who Is Sonny Rollins?
Who Is Sonny Rollins?

1968

Documentary • Music

as Self

6
0
A Great Day in Harlem
A Great Day in Harlem

1994

Documentary • History • Music

as Self

6.2
0.1

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